2024

Academic

Articles

Pisano G & Lindborg PM (submitted). “Developing the Open Ambisonics Toolkit: Background, Design, Evaluation”. Journal of Music, Technology, and Education.
Sara Lenzi, PerMagnus Lindborg, Simone Spagnol, Daan Kamphuis, Elif Özcan (2024/06, in press). “Perceived Quality of a Nighttime Hospital Soundscape”. Noise Mapping. DOI https://10.1515/noise-2024-0010.
Lindborg PM, Caiola V, Chen M, Ciuccarelli P, Lenzi S (2024/05, in press). “A Meta-Analysis of Project Classifications in the Data Sonification Archive ” Journal of the Audio Engineering Society. DOI https://10.17743/jaes.2022.0167.
Chen Manni, Lindborg PerMagnus, Meng Shuo (2023/12). “Deep Neural Networks with Music Dereverberation for Technical Ear Training in Music Production Education”. Asia-Pacific Journal for Arts Education, Special Issue “Unfold the Future of Music Education through Technology”. Volume 22 Number 3 (2023), ISSN: 1683-6995, http://www.ied.edu.hk/ccaproject/apjae/apjae.htm

Chapters

Ikeshiro, Ryo (2024/12). “Audiovisualisation: Reviving the spectre of optical sound and Structural / Materialist film.” In Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives, edited by Marc Estibeiro, Dave Payling and David Cotter. Routledge, London.
GUI Ren & Ryo Ikeshiro (2024/03) “女性声音行走：香港的中国内地女性移民与公共空间“[Female Soundwalk: Chinese female immigrants and public space in Hong Kong] Chapter in 音乐与声音研究 [Journal of Music and Sound Studies], ISBN 978-7-5657-3580-6/J, vol. 5,p 53- 67.
Xiao JL & Lindborg PM (2024, in review). “Spatializing Sensory Memories: reflections from an experimental workshop on recalled sounds and smells”. In C. Dupuis ed. The Senses and Memory, Vernon Press.
Lindborg PM (2024/03). “迈向可持续的声音艺术实践，少些浮华，多些真实 [Towards Sustainable Sonic Arts Practices: Less Glitz, More Grit]”. Chapter in 音乐与声音研究 [Journal of Music and Sound Studies], ISBN 978-7-5657-3580-6/J, vol. 5, p. 43-52.
Lindborg, PM (2024/04). “Very long, very short: Re-scaling Beethoven”. Chapter 15 in Sin-wai C, Kin-wah M, Ming LS (eds.): Routledge Encyclopedia of Technology and Music. DOI https://doi.org/10.4324/9781003195269, p. 284-98.

Conference proceedings

GUI Ren, Ryo Ikeshiro (2024/10) “Hearing Gender: Re-thinking Gender, Sound and Public Space Through a Female Soundwalk Project and a Sound Installation in Hong Kong”. Proceedings of The Kyoto Conference on Arts, Media & Culture (KAMC2024).
YANG, Farah, and Ryo Ikeshiro (2024/09) “Large Audio AI Models for Fixed-Media Electronics in “Prelude: To Listening”: The use of AI and traditional Chinese instruments in sonic art.” International Conference on AI and Musical Creativity (AIMC 2024), London, United Kingdom, 9-11 September 2024.
Lindborg PerMagnus (2024/07). “Towards Sustainable Sonic Arts Practices: Less Glitz, More Grit” [English version]. Proceedings of International Computer Music Conference (ICMC), Seoul, Korea, 7-13 July 2024.
DAI Shanshan, GUI Ren (2024/07). “Technical Implementation and Artistic Expression Characteristics of Multimedia Electronic Music Creation in China.” Proceedings of International Computer Music Conference (ICMC), Seoul, Korea, 7-13 July 2024.
Xiao Jieling, Aletta Francesco, Lindborg PerMagnus (2024/08). “Creative use of soundscape/smellscape protocols for integrated spatial understandings”. Proceedings of Inter-Noise 2024, 53rd International Congress & Exposition on Noise Control Engineering, Nantes, France.
Lindborg PerMagnus, Aletta F, Liew KM, Matsuda Y, Xiao JL, Yue R, Jiang QX, Lam LH, Wei LS (2024/08). “Multimodal Hong Kong: Documenting soundscape and smellscape at places of intangible cultural heritage”. Proceedings of Inter-Noise 2024, 53rd International Congress & Exposition on Noise Control Engineering, Nantes, France.
Lam, L. H., Lindborg, P. M., Aletta, F., Wong, P. P. Y., Yue, R. (2024/08). “Multimodal Hong Kong: A review of policies regarding soundscape and smellscape of Chinese temples”. Proceedings of Inter-Noise 2024, 53rd International Congress & Exposition on Noise Control Engineering, Nantes, France
Jiang QX, Lindborg PerMagnus, Wei LS, Xiao JL, Yue R (2024/08). “Multimodal Hong Kong: A multisensory study of environmental perception of places through sight, sound, and smell”. Proceedings of Inter-Noise 2024, 53rd International Congress & Exposition on Noise Control Engineering, Nantes, France.
Yue Ran, Lindborg PerMagnus, Ikeshiro Ryo, Gui Ren (2024/08). “Multimodal Hong Kong: perceptions of a pedestrian footbridge in Mong Kok”. Proceedings of Inter-Noise 2024, 53rd International Congress & Exposition on Noise Control Engineering, Nantes, France.
Yue Ran, Lindborg PerMagnus, Wei Lishan (2024/06). “Multimodal Hong Kong: Designing an Augmented Reality Map of Mong Kok pedestrian footbridge system”. HCI International, https://2024.hci.international/, 29 June – 4 July, Washington DC, USA.

Conferences

Ikeshiro, Ryo (2024/08). “Sound Practice – Inter-East Asian relationships and hierarchies in Hong Kong and East and Southeast Asia.” In East Asian Voices in Global Music Stories, Royal Holloway University of London, London.
GUI Ren, Ryo Ikeshiro (2024/07), “Soundwalk, listening and public space: Soundscapes of Chinese female immigrants in Hong Kong“, In the Field 2 Conference, London, UK.

Editorial

Keller Damián, Lindborg PM, Lazzarini Victor (in preparation) “Ubimus Cross-Cultural Approaches to Interaction and Creativity”. Arts & Communication, https://accscience.com/journal/AC/special_issues/Ubimus

Talks

Ikeshiro, Ryo (2024/11). EoP001: Sound as a Medium for Participation, with Brandon LaBelle and Dayang Yraola. Eaton HK, Hong Kong. 8.11.2024.
Ikeshiro, Ryo, and Tom Tlalim (2024/10). Listening to the Earth: Sonifying planetary health ecologies. Talk for Spark 2024 British Council Festival of Ideas. AIRSIDE, Hong Kong, and online. 18.10.2024.
Ikeshiro, Ryo (2024/02) “Different approaches of soundscape recording 研討會：田野錄音的不同方法.” Sound Camp Manila: Soundscape recording as an art practice. University of the Philippines Diliman, Manila. 24-27.2.2024.

Artwork

Exhibitions/Installations

Ikeshiro, Ryo, and Tom Tlalim (2024/10). Listening to the Earth: Sonifying planetary health ecologies. Exhibition for Spark 2024 British Council Festival of Ideas. GATE33 Gallery, Hong Kong, and online. 18–20.10.2024.
Ikeshiro, Ryo (2024/09). Ryukyu Teletext, Museum of Teletext Art, 07-24, Poriginal Gallery, Pori, Finland. 21.9–8.10.2024.
Ikeshiro, Ryo (2024/07). Ryukyu Teletext, Museum of Teletext Art, YLE (Finnish Broadcasting Company) Teletext page 806. 31.7-31.12.2024.
PerMagnus Lindborg (2024/07 [2021]). Stairway to Helheim. Eight-channel site-specific, physical loudspeaker installation: a sonification of 138 years of weather data from Hong Kong. Juried selection for International Computer Music Conference, Hanyang University Museum, Seoul, Korea, 7-13 July 2024.
Ikeshiro, Ryo (2024/02). Sound Camp Manila: Film Screening, POST Gallery, Cubao Expo, Manila, Philippines. 24-27.2.2024.

Concerts

Ikeshiro, Ryo (2024/10). ACMC 2024 Futurity, The Australian Institute of Music, Sydney and Melbourne, Australia. 22–23.10.2024.

2023

Articles

Lindborg, PM, Lenzi S & Chen M (2023/01). “Climate Data Sonification and Visualisation: An Analysis of Aesthetics, Characteristics, and Topics in 32 Recent Projects”. Frontiers in Psychology, section Human-Media Interaction. doi: 10.3389/fpsyg.2022.1020102, https://www.frontiersin.org/articles/10.3389/fpsyg.2022.1020102

Chen, Manni & Lindborg, PM (2023/01) “Observations on Guitar Music Produced by AI Reverberation and Professional Sound Engineers“. International Journal of Music Science, Technology Îand Art (IJMSTA), January 01; 5 (1): 1-7. DOI: https://doi.org/10.48293/IJMSTA-93

Concerts

Lindborg, PerMagnus (2021/11). Stairway to Helheim (excerpt for concert) 3D music / data sonification of 138 years of Hong Kong weather. Concert at China Communication University 中国传媒大学, 27 November 2023.

Lindborg, PerMagnus (2021/11). Graviton Dance, 3D spatial generative electroacoustic music. Concert at China Communication University 中国传媒大学, 27 November 2023.

Ikeshiro, Ryo (2023). Hong Kong x Construction in ENSO. 生态声音艺术周 Ecological Sound Art Week. Communication University of China, Beijing, 27 November 2023.

Ikeshiro, Ryo (2023). Prelude: To Listening 前奏曲：聆聽之 – Concert Version. Hong Kong New Music Ensemble Sounding Tomorrow Series. The Room, Freespace, West Kowloon Cultural District, Hong Kong, 23 November 2023.

Ikeshiro, Ryo (2023). Construction in ENSO. The 16th International Symposium on Computer Music Multidiscipinary Research Music Program, Ongaku no tomo hall, Tokyo, 15 November 2023.

Ikeshiro, Ryo (2023). Performance at the opening reception of the Sigg Prize 2023 Exhibition, M+ Museum of Visual Culture, West Kowloon Cultural District, Hong Kong, 21 September 2023.

Ikeshiro, Ryo (2023). Prelude: To Listening 前奏曲：聆聽之. Hong Kong New Music Ensemble Sounding Tomorrow Workshops. The Room, Freespace, West Kowloon Cultural District, Hong Kong, 3 August 2023.

Ikeshiro, Ryo & MetaObjects (2023). Sonic Topologies: Hong Kong 地境：香港. Performance at M+ at Night: Sensory Encounters M+夜不同：感官體驗. With Jacklam Ho, Manni Chen, Cheng Yang and Daniel Stempfer. M+ Museum of Visual Culture, West Kowloon Cultural District, Hong Kong, 23 June 2023.

Ikeshiro, Ryo (2023). Tai Kwun Conversations: Sound Imprints 大館對談：聲音印記. Conversation with Edward Sanderson and performance. JC Cube, Tai Kwun, Hong Kong, 7 June 2023.

Ikeshiro, Ryo. The San Francisco Tape Music Festival, Victoria Theatre, San Francisco, 13–15 January 2023.

Conference proceedings

Chen Manni & Lindborg PerMagnus (2023/12). “A NEURAL NETWORK FOR GENERATING NOISE MUSIC”. Proceedings of the 2023 19th International WOCMAT (Workshop on Computer Music and Audio Technology), Kainan University, Taiwan.

Ran, Yue & Lindborg, PerMagnus (2023/10). “Towards Soundscape Diversity – A Comparison of Stakeholder Perceptions and Structural Design Elements Between a Localized and a Revitalized Market in Hong Kong”. Conference of the Association of Collegiate Schools of Planning, 2023 ACSP 63rd Annual Conference.

Ikeshiro, Ryo & Lina Simon (2023/10). “Audiovisualising Climate Data: Art and climate action.” Music and Sonic Art: Seeing Sound, Hearing Sight (MuSA 2023), Manchester, UK.

Lindborg PerMagnus & Ryo Ikeshiro (2023/10). “SoundLab: Third year”, Proceedings of the International Computer Music Conference, Shenzhen, China. http://icmc2023.org.cn/pc/home_page/index

Sara Lenzi, PerMagnus Lindborg, Ningze Han, Simone Spagnol, Daan Kamphuis, Elif Özcan (2023/09, accepted). “Disturbed Sleep: Estimating Night-time Sound Annoyance at a Hospital Ward”. Proceedings of the Forum Acousticum 2023, Italy.

Lindborg PM & Pisano G (2023/09). “Learning spatial audio with the Open Ambisonics Toolkit” Digitally Engaged Learning Conference (DEL), September 2023 (online).

Gui Ren & Ikeshiro, Ryo (2023/08). “Female Soundwalk: Chinese Female Immigrants and Public Space in Hong Kong.” IsaScience 2023, Vienna, UNIVERSITY OF MUSIC AND PERFORMING ARTS VIENNA, 26-30 August 2023. [Program overview]

Chen M & Lindborg PM (2023/01). “Generative Adversarial Networks for Technical Ear Training in Perceiving How Reverberation Affects Frequency Contents in Music Production Education”. International Conference on Music Education Technology (ICMdT), 10–12 January 2023.

Editorial

Lindborg PM, Chopra SS, & Groß-Vogt K (2023/08). Data Perceptualization of Climate Science Communication. Frontiers Research Topic, https://www.frontiersin.org/research-topics/20827/data-perceptualization-for-climate-science-communication

Exhibitions/Installations

PerMagnus Lindborg, Jieling Xiao, Francesco Aletta, Holly Cheung, Yue Ran, Ningze Han, Xiaoyi Xu. (2023/04). Exhibition :: The Dual City Multi-sensory Experience of Markets. Part of GRF project and Symposium on Inclusive Design with Multi-senses, 14 April 2023, STEAMhouse, Birmingham City University, UK.

CM von Hauswolff, PM Lindborg, et al (2023/03–). “freq_spark (four corners)”. Collaborative and generative online sound installation, http://bilting.se/freq_spark/. Hosted by the Royal Institute of Art, Stockholm.

Residency

Lindborg PM (2023, April-May): Fellowship with The Arctic Circle, (3 weeks) “expeditionary residency program for international artists, scientists, educators and innovators” http://thearcticcircle.org/.

Talks

Lindborg PM (2023/11). “Sound Art in the Time of Crisis: Climate Data Sonification for Exploration, Understanding, and Aesthetic Renewal”. China University of Communication 中国传媒大学. China University of Communication 中国传媒大学.

Ikeshiro, Ryo (2023). “Audiovisualising Climate Data: Art and Cimate Action.” 生态声音艺术周 Ecological Sound Art Week. Communication University of China, Beijing.

Ikeshiro, Ryo (2023/10/19). “Ambisonics: Creative and Critical Applications of Spatial Audio in Physical and Virtual Space.” School of Design Lecture Series, Southern University of Science and Technology, Shenzhen.

Lindborg PM (2023/8/30). “Naming Sounds: Synecdoche as Association between Events, Sources, and Soundscape through Cognitive-Semantic Valorisation”, Huawei Music Technology Labs Hong Kong Sciencepark.

Ikeshiro, Ryo (2023/8/30) Invited talk. Central Media Technology Institute, 2012 Laboratories, Huawei, Hong Kong Science and Technology Park.

Pisano G & Lindborg PM (2023/06). “Introducing the Open Ambisonics Toolkit”. Proceedings of the Conference of the International Community for Auditory Display (ICAD).

Ikeshiro, Ryo & Edward Sanderson (2023). Tai Kwun Conversations: Sound Imprints 大館對談：聲音印記. Conversation with Edward Sanderson and performance. JC Cube, Tai Kwun, Hong Kong, 7 June 2023.

Lindborg PM (2023/04). “Sound in Environments”. The Arctic Circle, Svalbard.

Lindborg PM (2023/04). “Multimodal Hong Kong”. Symposium on Inclusive Design with Multi-senses, 14 April 2023, STEAMhouse, Birmingham City University, UK.

Workshops

Lindborg PM (2023/11). Workshop introducing methods for data sonification using Puredata and Max; China University of Communication 中国传媒大学.

Lindborg PM & Pisano G (2023/06). “Workshop with the Open Ambisonics Toolkit”. Conference of the International Community for Auditory Display (ICAD).

2022

Articles

Ikeshiro, R, Charrieras, D, & Lindborg PM (2022). “Charting the scene(s) of sonic arts in Hong Kong. An overview based on 23 interviews with local practitioners and organisers”. Organised Sound 27, no. 3.

Concerts

Lindborg PM (2010, rev. 2019). “Graviton Dance. Generative 3D sound composition”. Asia Composer League Festival, 30 August 2022, Christchurch, New Zealand. Jury selection.

Ikeshiro, Ryo. New York City Electroacoustic Music Festival, New York, 20–26 June 2022.

Ikeshiro, Ryo. musiquarium, ft. Fiona Lee (live) & Ryo Ikeshiro (live), Terrible Baby Eaton HK, Hong Kong, 9 June 2022.

Ikeshiro, Ryo. SMC-22 (Sound and Music Computing) Festival, Saint-Etienne, 7–11 June 2022.

Ikeshiro, Ryo. NoiseFloor UK, Stoke-on-Trent, 12–13 May 2022.

Ikeshiro, Ryo. Concierto Resumen International Computer Music Conference 2021 – selected from ICMC 2021 music entries, Centro de Extensión Oriente UC, Santiago, 23 April 2022.

Ikeshiro, Ryo. Eternal Accelerando. Sonorities Festival, Belfast, 6-10 April 2022.

Conferences

Gui Ren & Ikeshiro, Ryo (2022/09). “Destination: Sound, memories, and LGBTQ identities in a Beijing nightclub.” Eleventh International Conference on Music and Sonic Art: Sounding Identities (MuSA 2022), London, Middlesex University, 22-23 September 2022. [report]

Ikeshiro R & Lindborg PM (2022/06). “SoundLab, a spatial audio research/practice unit in Hong Kong.” 27th International Symposium on Electronic Art (ISEA), Barcelona, 10–16 June 2022.

Lindborg PM (2022/06). “Re-scaling Beethoven: very long, very short”. Conference :: Rethinking the History of Technology-based Music, CeReNeM, University of Huddersfield, UK. 9-11 June 2022. [blog post]

Ikeshiro, Ryo. “Non-standard possibilities in sonification and machine learning at audio rate.” Xenakis 22: Centenary International Symposium, Athens, 24–29 May 2022.

Curatorial

K Hagan, PM Lindborg & M Qi (curators) ICMA Music Showcase 2022: Asia. Online showcase of ICMA members’ artwork. International call for participation, double-blind peer review. 56 audio and audiovisual pieces presented in eight curated concerts. Co-curators: T Mori and M Mizonu. ICMA Music Showcase 2022 Asia, 14-15 April 2022.

Ikeshiro, Ryo & Simon, Lina. DAT-ACT Data Art for Climate Action Gallery. Singing Waves Gallery/online. 23 February – 22 May 2022.

Lindborg, PM (chair) :: Data Art for Climate Action (DACA2022) is a dual-hub conference on interactive sonification and visualisation for climate science communication. Funded by Environment and Conservation Fund and School of Creative Media at City University in partnership with Hong Kong Observatory (Hong Kong), Institut für Elektronische Musik und Akustik, Kunstuniversität Graz and Wegener Center for Climate and Global Change (Austria), and Frontiers Journal and Thyssen-Bornemisza Art Contemporary Privatstiftung (Switzerland). International call for participation, double-blind paper reviews, single-blind artwork reviews. Selection curated in four tracks, chaired by PM Lindborg, R Ikeshiro, S Chopra, and with collaborators. http://dataclimate.org/

Exhibitions

Ikeshiro, Ryo (2021) Sound Envelope HK-London, for SPARK2021, 20 October 2021 – ongoing; Athens Digital Arts Festival, 15 September 2022 – ongoing.

Ikeshiro, Ryo. bug 蛣聽器, Sanatorium of Sound Festival, Sokołowsko, Poland. 12-14 August 2022.

Ikeshiro, Ryo. Rhythms / Reveries, Future Record, Youth Square, Hong Kong. 5-14 August 2022.

PerMagnus Lindborg, “Stairway to Helheim” online (binaural version) http://soundislands.com/stairway-to-helheim/ , DAT-ACT Data Art for Climate Action Gallery. 23 February – 22 May 2022.

Screenings

Ikeshiro, Ryo. Rituals, Rhythms and Reveries, -I (2022), Arraymusic, Toronto, and online, 12 December 2022.

Talks

Lindborg, PerMagnus (2022/11/15). Guest lecture at Communication University of China, “Less Glitz, more Grit: Towards Sustainable Sound Art Practices”. Slides are here.

Lindborg, PerMagnus (2022/03/08). Guest lecture at University of Pompeo Fabra, Barcelona, Catalonia/Spain.

Lindborg, PerMagnus (2022/08/23). Session Chair ‘Climate Data Art’, at Climate Emergency Summit 2022, organised by the Network of Environmental Student Societies (NESS), Hong Kong.

2021

Articles

Lindborg, PM & Liew, KM (2021/11). “Real and Imagined Smellscapes”. Frontiers in Psychology, https://www.frontiersin.org/articles/10.3389/fpsyg.2021.718172/

Richard Parncutt, Per Magnus Lindborg, Nils Meyer-Kahlen, Renee Timmers (2021/07). “The multi-hub academic conference: Global, inclusive, culturally diverse, creative, sustainable”. Frontiers in Research Metrics and Analytics, https://www.frontiersin.org/articles/10.3389/frma.2021.699782/full.

Lenzi S, Sadaba J & Lindborg PM (2021/03). “Soundscape in Times of Change: Case Study of a City Neighbourhood during the COVID-19 Lockdown”. Frontiers in Psychology. https://www.frontiersin.org/articles/10.3389/fpsyg.2021.570741/

Concerts

PerMagnus Lindborg (2021/11) Stairway to Helheim. Eight-channel site-specific sound installation for Soundislands: Re:Sound at ArtScience Museum, Singapore. 27th International Conference On Auditory Display [ICAD], June 24-27, 2022.

Ikeshiro, Ryo (2021/11). Composition: White Square, White Circle. Electro-Acoustic Music Asia Network (EMSAN), 19 November 2021, https://soundlab.scm.cityu.edu.hk/2021/06/02/emsan.

Ikeshiro, Ryo (2021/11). Construction in Kneading. 15th International Symposium on Computer Music Multidisciplinary Research (CMMR), 15-19 November 2021, https://www.cmmr2021.gttm.jp.

Ikeshiro, Ryo (2021/07). Eternal Accelerando. International Computer Music Conference [ICMC] 2021, Santiago, Chile and online, http://icmc2021.org.

Lindborg PM & Loo Sze Wang (2021/07). KYAGER [film] , ICMA Music Showcase 2022 Asia, 14-15 April 2022.

Lindborg PM & Loo Sze Wang (2021/06). KYAGER for sheng, electronics, and video. Premiere (performance version) at Hong Kong Arts Centre, McAulay Studio, Tuesday 22 June 2021, by Loo Sze Wang (sheng & acting) and PerMagnus Lindborg (electronics).

Conferences

Ikeshiro, Ryo & Lindborg, PM (2021/10). “SoundLab and Electroacoustic Music in Hong Kong.” Korean Electro-Acoustic Music Society’s Annual Conference, 16-17 October 2021, http://keams.org/emille/keamsac.html.

Lindborg PM (2021/09) “Remote Islands Radio Plays: Teaching Soundscape Composition in the Uncertain Future of the Anthropocene”. Digitally Engaged Learning Conference, 23-25 Sept. 2021, https://www.digitallyengagedlearning.net/2021/

Chen Manni & Lindborg PM (2021/07). “Evaluation of AI Reverberation on Guitar”. Proceedings of the 16th International Conference on Music Perception and Cognition jointly organised with the 11th triennial conference of European Society of the Cognitive Sciences of Music [ICMPC16-ESCOM11] and poster presentation. https://sites.google.com/sheffield.ac.uk/escom2021/home

Ikeshiro, Ryo (2021/06). “Construction in Kneading: Audiovisualising the Mandelbox.” Proceedings of International Conference for Auditory Displays [ICAD], https://icad2021.icad.org.

Lindborg PM (2021/06). “Feeling Loki’s Pain: Designing and Evaluating a DIY 3D Auditory Display”. Proceedings of International Conference for Auditory Displays [ICAD], https://icad2021.icad.org/.

Chen Manni & Lindborg PM (2021/06). “Evaluation of AI Reverberation on Guitar”. Proceedings of ArtMachine2, City University of Hong Kong.

Janbuala Kittiphan & Lindborg PM (2021/07). “Sonification of Glitch-Video: Making and Evaluating Audiovisual Art made from the Betta Fish”. Proceedings of the International Computer Music Conference 2020/2021, Santiago, Chile.

Editorials

Christopher Haworth, Miriam Akkermann, PerMagnus Lindborg (2021/11). [Editorial] Diversity, pluralism — equity? ICMA Array, Special issue (7 articles), https://journals.qucosa.de/array/

Aletta F, De Coensel B, & Lindborg PM (2021/06). [Editorial] Human Perception of Environmental Sounds. Frontiers Research Topic (14 articles), https://www.frontiersin.org/research-topics/10452/human-perception-of-environmental-sounds

Exhibitions

Ikeshiro, Ryo (2021/11) TeleISIS – retro media-savvy jihadists, for Museum of Teletext Art: MUTA7, YLE (Finnish Broadcasting Company) Teletext pages 820-828, 20 November 2021 – 6 January 2022.

Lindborg, PerMagnus (2021/11) Stairway to Helheim. Eight-channel site-specific sound installatio on climate data for Soundislands: Re:Sound festival at ArtScience Museum, Singapore, 13 – 24 November 2021.

Ikeshiro, Ryo & MetaObjects (2021/11) Sonic Topologies: Hong Kong. Tactile sound installation, M+, Hong Kong, 12 November 2021 – ongoing.

Ikeshiro, Ryo (2021) Sound Envelope HK-London, for SPARK2021, 20 October 2021 – ongoing.

Ikeshiro, Ryo (2015/2021) Girls! Girls! Girls! Girls! Boys!, for Art in the Cloud Exhibition for Ars Electronica 2021 Garden Hong Kong, 8-12 September online and 12-17 September 2021 Osage Gallery.

Ikeshiro, Ryo (2021) bug, Osage Gallery, Hong Kong, 24 July – 22 August 2021.

Ikeshiro, Ryo (2018/2021) dugeundoki, Osage Gallery, Hong Kong, 24 July – 22 August 2021.

Ikeshiro, Ryo (2015/2021) Pika! Ppeonjjeok, Pika! Ppeonjjeok / PPiikkaa!! PPppeeoonnjjjjeeookk, Osage Gallery, Hong Kong, 24 July – 22 August 2021.

Lindborg, PerMagnus (2021/07) P8•八音, at Osage Gallery, Hong Kong, for I am always here, curated by Rodrigo Guzman-Serrano, 24 July – 22 August 2021.

Ikeshiro, Ryo (2021), bug, ConstructingContexts/Art Machines 2, Singing Waves Gallery, Hong Kong, June 2021.

Lindborg PM (2021/06). “Loki’s Pain”. New Instruments for Musical Expression Conference (NIME). Shanghai, China and the Internet, http://nime2021.org/. Installation here: https://nime.pubpub.org/pub/rx0ufzpo

Screenings

Lindborg PM & Loo Sze Wang (2021/07). KYAGER [film version]. Jury selection for the music program of the International Computer Music Conference 2020/21, Santiago, Chile.

Talks

Lindborg, PerMagnus (2021/12). Talk at Durham University, Music and Science lab meetings, 6 Dec. 2021, https://musicscience.net/music-and-science-lab-meetings/

Ikeshiro, Ryo. Computational Media and Arts Seminar Series, Hong Kong University of Science and Technology. 1 November 2021.

2020

Concerts

Ikeshiro, Ryo (2020/08). Construction in Self, generative electronic music/data sonification work, for KONZERT: Nomádes… at Tenri Japanisch-Deutsche KulturWerkstatt, Cologne.

Exhibitions

Ikeshiro, Ryo (2015/2020), Pika! Ppeonjjeog, Pika! Ppeonjjeog / Ppiikkaa!! PPppeeoonnjjjjeeoogg, Art Machine: Past/Present, the Indra and Harry Banga Gallery, Hong Kong, Nov. 2020 – May. 2021

Lindborg, PerMagnus (2020/11), Loki’s Pain, Art Machine: Past/Present, the Indra and Harry Banga Gallery, Hong Kong, Nov. 2020 – May. 2021

Screenings

Eunji CHO, Sunkyung SON, Hyejin CHO, Elise & Elise, Ryo IKESHIRO, Cheongjin KEEM (2020/10). 불과 바람을 일으키는 동작연구 (A Study on Movements for Generating Fire and Wind), short film, Gyeonggi Cultural Foundation, Korea.

2019

Concerts

Lindborg PM (2019, Dec.) Feather-Crater, audiovisual composition (7:00) featuring Chan Hing-yan (erhu) and Cheryl Ong (drums). ICMA Music Showcase 2022 Asia, 14-15 April 2022.